Ege Baran Ay
Industrial Design · Communication Design · Sound
An astronaut arrives at a space casino — the noise fades, and the music expands into a spacey, cinematic soundscape.
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A liminal corridor, flooded with water — a dreamy soundscape that slowly darkens, then collapses into a girl humming in the dark.
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A busy oriental bazaar — crowd noise, street drummers, then a flute melody pulls you in as everything else falls away.
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Sound redesign of the Prowler scene from Spider-Verse. Every sound rebuilt from scratch — foley, free samples, original composition.
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Sound redesign of a Chainsaw Man scene — heavy ambient, dubbed Leech Devil voice, then silence before a massive earthquake hit.
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The Apex Legends Charge Rifle rebuilt from scratch — slow charge build, then the shot. Self-recorded foley and free samples.
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Ink pen and alcohol marker study of the Xenomorph from Alien — built with dense hatching and crosshatching entirely by hand.
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Ink pen and marker study of IG-88 from Star Wars — mechanical complexity, layered armor and weaponry built through hatching.
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Manga panel recreation from Chainsaw Man — heavy black fills and frantic linework staying close to the raw energy of the original.
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Ink pen study of the T-45 power armor helmet from Fallout — vents, lenses, panels captured through dense hatching by hand.
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A stylishly dressed alien shredding on electric guitar, surrounded by lightning bolts — drawn in ink with energetic linework.
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A shaman-like sorcerer standing within a large ring, manipulating energy rings with clawed hands — ink with detailed hatching.
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